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When Malick Sidibé’s Photographs Danced Before Me …

Surprise Party, 1964 By Malick Sidibé My interest in the politics and aesthetics of photography started from an unlikely source: Dambudzo Marechera, the enfantterrible of African literature. In his seminal text The House of Hunger, a coming of age novella set in the 60s and 70s, he writes about Solomon, a township photographer who could...